Ōgon Batto is an exercise in patience; indeed, a model of restraint in these trying times. Although a fixture of the Belgian underground for over a decade (as part of the Hare Akedod label and band, the latter with DSR Lines’ David Edren), Bent Von Bent has released just two albums thus far.
A scroll through ‘Browse’ reveals a series of miniature compositions — bite-size psychedelic treats, a sequence of imaginary hyperlinks and clickbait for Generation Instant Gratification, reminiscent of the early work of Battiato, Francois De Roubaix, and Igor Wakhévitch.
