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Tune to tune, she decimates and distills familiar tropes in singular, whirring syncopations designed to prompt bodies to move in fresh new ways. 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It may be justifiably best known for the lip-bitingly strong minimalist transport of Detroit: One Circle with its sparing central refrain \"Detroit\" and spine-playing riffage, or for the killer Explain The Style variant, but for us the EP's shortest and freakiest number Modern And Ancient is also one of its strongest, a mad, half-stepping slice of Afro-futurist electro encryption that still blows our mind today.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Rubadub","offers":[{"title":"Default Title","offer_id":49150823334202,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/TheVision-SpectralNomad_Remastered.webp?v=1722341726"},{"product_id":"nicolo-ssamb","title":"Nicolò - Ssamb","description":"\u003cp\u003eFollowing in the form of his last outing on Baroque Sunburst, the Italian percussive virtuoso delivers three wholly uncategorizable, tripped out drum workouts. Both frentic and hypnotic, these rhythms roll and snap into jagged grooves that leave dark basement dance-floor walls imprinted with the stains of psychic and somatic revelry.\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Rubadub","offers":[{"title":"Default Title","offer_id":49150830084410,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/643adf99-37ef-0ad3-40eb-a279661cc23a.jpg?v=1722341931"},{"product_id":"eddie-marcon-yahho-no-potori","title":"Eddie Marcon - Yahho no Potori","description":"\u003cp\u003eArriving in tandem with the heatwave it seemed we'd never get this year is a rare internationally distributed record by the impossibly sweet, long-running Japanese duo, Eddie Marcon.  Originally afforded a domestic, CD-only release back in 2009 by Majikick, A Colourful Storm have faithfully reproduced Yahho No Potori for a first-time vinyl run that provides a great introduction to Eddie Corman and Jules Marcon's loping, jazz-inclined folk music. This is music on which the sun is always rising, of open windows on to summer lawns where songs arrive on the gentlest of breezes and stick around long after the day is done. Delicacy and intimacy are the key currencies, the Japanese language lyrics no barrier for understanding - Corman's voice is bracingly emotive and sincere, the kind of fearless communicating that finds power in the soft touch, as if to say, \"there's no need to shout; i know just how to reach you\". Long time WOE followers will perhaps remember the band from the vital Minna Miteru compilation from 2020 (good luck tracking that one down if you missed it first time out), and their track from that record, 'Toratolion', is also featured here. It's no surprise to see it picked as a calling card, a centerpiece type moment that seems to distill all their best qualities into five startling minutes of sing-song heartbreak, where its comparatively subtle arrangement disguises a complex emotional range. If you've spent even just a little amount of time with and enjoyed the likes of Maher Shalal Hash Bar, Nagisa Ni Te or Reiko Kudo, then you're in essential territory here. As ever, the Japanese underground remains a forever-giving, independent force.\u003c\/p\u003e\n\u003c!----\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":49155202318650,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/YahhonoPotoribyEddieMarcon.jpg?v=1722415293"},{"product_id":"the-male-gays-be-kind","title":"The Male Gays - Be Kind","description":"\u003cp\u003e7\"\u003c\/p\u003e\n\u003cp\u003eBe Kind is a three track 7” from The Male Gays - cross-continental DIY queer pop from Guy Blackman, label boss of Melbourne, Australia's long-running Chapter Music, and Bart McDonagh, ex-stalwart of London's legendary Domino Records and owner of his own imprint Amour Foo. On their debut release, a limited three song 7\" single, Bart and Guy sing in wobbly voices about rejecting queer cynicism, the need to rid the world of white boys wielding guitars (which includes themselves, naturally) and the difference between being outpunk and being an actual punk. The Male Gays single includes valuable musical contributions from Australian guitarist Alex Macfarlane (Twerps, the Stevens), Porto\/London stringsmith Ana Rita de Melo Alves and Melbourne flute virtuoso Hank Clifton Williamson (Sarah Mary Chadwick). Mikey Young (Total Control, Eddy Current Suppression Ring) mixed and mastered the recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"bart","offers":[{"title":"Default Title","offer_id":49168294707514,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/TheMaleGaysBeKind.webp?v=1722596821"},{"product_id":"pharoah-sanders-thembi","title":"Pharoah Sanders - Thembi","description":"\u003cp\u003eReleased in 1971 on Impulse and recorded with two different ensembles, Thembi marked a departure from the slowly developing, side-long, mantra-like grooves Sanders had been pursuing for much of his solo career. Instead, it offers an intriguingly wide range of relatively concise ideas resulting in something of an anomaly in Sanders' prime period. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":49187566027066,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/PharoahSandersThembi.webp?v=1722949160"},{"product_id":"shop-regulars-s-t","title":"Shop Regulars - s\/t","description":"\u003cp\u003eLoadsa noise circling about this debut vinyl release from Portland's Shop Regulars and understandably so. The vision of Matt Radosevich and brought to life by a rotating cast of musicians, SR have been kicking around for over half a decade and as many tapes, but they really make it count now they're finally committed to record. Had to double-take on the band's locale, for this is decidedly New York sounding, and a very specific era of New York at that - if this were 20 years back, you'd likely already caught word of them via a Julian Casablancas co-sign and a Rough Trade deal. Don't read that as faint praise (and don't assume you'll be hearing this on the radio anytime soon, more's the pity). Shop Regulars are art damaged and lo-fi busted as Swell Maps, and they do it with true style and conviction, a bluesy reconfiguration of MES' three R's rules of rock n roll - REPETITION REPETITION REPETITION - with a street-smarts cool vocal that channels that Reed into Verlaine into (and yes, that name again) Casablancas lineage. Of course, this isn't 20 years ago, it's Portland and not the East Village and we're talking about a self-release in an edition of 200, so something has to be awry and it comes to a head in the brilliantly committed 11 minute long 'Emerson Run Down', Radosevich conjuring a Can by the way of The Magic Band fantasy I'd gladly hear run through a second 11 minute stretch. A better comparison, then, might be Royal Trux, outliers in thrall to the ghosts of rock n roll, reassembling it in their own image. Radosevich seems born of the same desire.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Matt Radosevich","offers":[{"title":"Default Title","offer_id":49188285448506,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/ShopRegulars-s_t.jpg?v=1722961694"},{"product_id":"the-strange-girls-truly-lyric","title":"The Strange Girls - Truly \u0026 Lyric","description":"\u003cp\u003e7\" \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSee also - \u003ca href=\"https:\/\/worldofechomusic.com\/collections\/new-releases\/products\/what-kind-of-human-have-i-become-avoiding-the-diggy-diggy-dogs\" target=\"_blank\" rel=\"noopener\"\u003eWhat Kind of Human Have I Become - Avoiding The Diggy Diggy Dogs\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eSoft Abuse are back in the game with these two latest 7s, one new, the other from further back in time, that further help survey NZ's seemingly unmappable underground. What Kind of Human Have I Become is the newest outlet for Matt Plunkett of Cuticles\/The Trendees, though one listen makes that clear enough without any attendant explication - the signature Plunkett ramshackle charm is in full effect here. What is different, and perhaps explains the name change, is the presence of Stefan Neville and Oksun Ox's Ben Holmes, who add a little psychedelic glee to the usual unusual garage rock surrealism. Killer and kommitted as ever. Dialing the clock back a couple of decades, we've these two previously unreleased Strange Girls tracks, pulled from an audience recording in 2002. The quality is admittedly low grade, though Strange Girls listeners will know that to be par for the course by now. What also remains is band's uniquely ecstatic melancholy, the leaden pall of the guitars contrasted with Clayton Noone's mournful but affecting vocal, the words of which are hard to discern, but the sense of emotional drama unmistakeable. Apparently there's more Strange Girls recordings still waiting to see the light of day. On the strength of these two tracks, someone needs to hurry along and make that a reality.\u003c\/p\u003e\n\u003cp\u003eNote - a couple of stray copies of the great Strange Girls compilation still knocking around \u003ca href=\"https:\/\/worldofechomusic.com\/collections\/new-releases\/products\/the-strange-girls-its-ok-to-be-happy?_pos=1\u0026amp;_sid=df5c0c501\u0026amp;_ss=r\" rel=\"noopener\" target=\"_blank\"\u003ehere.\u003c\/a\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"soft abuse","offers":[{"title":"Default Title","offer_id":49188353179962,"sku":"","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/Truly_LyricbyTheStrangeGirls.jpg?v=1722963142"},{"product_id":"the-gabys-s-t","title":"The Gabys - s\/t","description":"\u003cp\u003e7\"\u003c\/p\u003e\n\u003cp\u003eTruly, a gift: our very own formation of Bay Area 'fog pop' from our very own shores. Liverpool, that is, to be precise. Of course, it takes Glenn Donaldson's Fruits \u0026amp; Flowers imprint to inform us of what's standing on our feet, but such is the way of the world. What we do know is that The Gabys are a relatively mysterious\/currently faceless two piece who have already issued a tape and 7\" via US labels (the latter also F\u0026amp;F) but have seemingly evaded further attention here in the UK. Hopefully this latest four track single\/EP sets the record straight, a serene example of spraycan hiss lo-fi aesthetics and lovelorn jangle that incorporates the best of both contemporary San Fran (most certainly Cindy and April Magazine) and Sarah, and ends up sounding very much like the reincarnation of my much missed Joyzipper circa album 1 (but on a significantly smaller budget). An enormous amount to love from such modest means, the Gabys are certainly possessed of the kind of economy of beauty you find so rarely in these everything-all-the-time days. As i said, a gift, truly.\u003c\/p\u003e\n\u003c!----\u003e","brand":"soft abuse","offers":[{"title":"Default Title","offer_id":49188369826106,"sku":"","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/TheGabys.jpg?v=1722963622"},{"product_id":"refrigerator-get-lost","title":"Refrigerator - Get Lost","description":"\u003cp\u003eThe fifteenth record by Refrigerator marries the two worlds that the band has come to be known for, the wild improvisational strings caught by drums on a vocal harmony and that of their minimal torch song balladering. The core line up for over thirty years of Chris Jones on drums and the Callaci brothers remains intact, as does bass player Daniel Brodo's bass playing which has been a part of the Refrigerator sound for over twenty five years. Joined on the previous record, 2021's So Long to Farewell by Wckr Spgt guitarist Mark Givens, the five piece's dual guitar attack is on full display on side one of the new record Get Lost, sky clearing for a more studied, quieter side two that features saxophone and trombone, a live to one track recording and Mott the Hoople heartache.\u003c\/p\u003e\n\u003cp\u003eRecorded once again by Steve Folta, the new record book ends the band's previous effort both audibly and visually as Jean Smith's previous cover art gives way to Jad Fair's work for the sleeve of the new record. This is a limited edition vinyl pressing to be followed by a CD and some sort of wind up nickel and dime tin can string version in the years to come.\u003c\/p\u003e\n\u003c!----\u003e","brand":"grapefruit","offers":[{"title":"Default Title","offer_id":49205330313530,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/GetLostbyRefrigerator.jpg?v=1723130976"},{"product_id":"ghost-dubs-damaged","title":"Ghost Dubs - Damaged","description":"\u003cp\u003eDouble LP\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGhost Dubs, real name Michael Fiedler, aka Jah Schulz, announces a rebirth with Damaged, his first album for The Bug's Pressure label. Having recently dropped two criminally overlooked, experimental dub LPs, with his 'Dub Over Science' series, the German producer\/bass specialist, now stretches his own parameters of outwardness still further, with these twelve fresh explorations of dub deviance.\u003c\/p\u003e\n\u003cp\u003eFor those who feel the fusion of dub techno and ambient drone had creatively ended with the demise of the short lived, Berlin based Chain Reaction label. Ghost Dubs now upgrades and extends that legendary blueprint's abstract methodology even further and deeper, floating away upon a wonderfully warm sea of hiss and static bliss. This is dub so atomized that it disintegrates within your eardrums. Its music, where the machines take over and virtually all traces of humanity are erased. But thankfully, the warmest soul still oozes seductively from the pores of Fiedler's robo riddims. Relentlessly hypnotic, seriously sedated, 'Damaged' celebrates the point of departure within its mesmerising low-end grooves.\u003c\/p\u003e\n\u003cp\u003eAlbum opener 'Chemical', provides an opiated slo-mo skank, which sounds like Plastikman's 'Consumed' era pulsations drenched heavily in sub aquatic fx. A triumph of surface noise surfing and sub-woofer testing relentlessness, it provides the perfect intro to this compellingly immersive album. For batty shakers and headtrippers alike, there's added thrills aplenty, as Ghost Dub's richter scale tremor rhythms remain impressively massive, and the atmospheric depths of 'Damaged' appear tantalisingly oceanic. Throughout the duration of the dreamy selection, there is an obsessive balance of bewitching ambience and heavyweight bassbin shaking.\u003c\/p\u003e\n\u003cp\u003eThe lead single 'Thin Line' itself provides a missing link between African Headcharge's early percussive body probes and Rhythm \u0026amp; Sound's addictive radiance, with the slightest hint of Burial's doomed romantic hauntology added for good taste. Alternately, and no less gracefully, 'Dub Lobotomy' bizarrely resembles Miles Davis 'Get Up with it' chopped, screwed, and relocated to a futuristic Kingston Town. Impressive indeed, Fiedler's mastery of live dubbing on his mixing desk shines accross the duration, and gives the album an improvised edge, and sense of peripheral chaos.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":49234561728826,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/GhostDubsDamaged.webp?v=1723545838"},{"product_id":"demdike-stare-junk-tuff-crew","title":"Demdike Stare - Junk \/ Tuff Crew","description":"\u003cp\u003e7\"\u003c\/p\u003e\n\u003cp\u003eBoth cuts find Demdike in wickedly rambunctious mood, the a-side ‘Junk’ weaving gated filters and squashed subs into the gynoid vocal delivery of Alice Merida Richards, formerly of baroque pop band Virginia Wing, and here giving it a full Nico via Trish Keenan thing. Imagine the Chain Reaction label doing monochrome, mutant pop, and you’re just about there.’Tuff Crew’ on the flip sees the duo panel-beating sheet noise, gnashing drums and hyperpop hiccups into a seething industrial dancehall swivel made to swarm warehouses with its dizzying stereo diffusions. Hands down some of their best gear, play extra loud for the full madness. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"boomkat","offers":[{"title":"Default Title","offer_id":49234679628090,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/DemdikeStareJunk_TuffCrew.jpg?v=1723548329"},{"product_id":"various-funk-br-sao-paulo","title":"Various - funk.BR - São Paulo","description":"\u003cp\u003e2LP Gatefold, with essay by Felipe Maia.\u003c\/p\u003e\n\u003cp\u003eNTS presents funk.BR - São Paulo, an exploration into the magical and menacing world of the Brazilian city’s current baile funk sounds.\u003c\/p\u003e\n\u003cp\u003eSão Paulo has built up a reputation for its confrontational funk output over the past decade, and the emergence of the mandelão sound has underlined this. This riotous strain of baile funk has been tailor made for the favela parties (so-called bailes or fluxos) of the Brazilian megalopolis. Played across the bailes do Helipa, Bega, Marcone and Casinhas, mandelão now spans a wide range of sub-genres; from hypnotic ritmado to brutal bruxaria.\u003c\/p\u003e\n\u003cp\u003eThis 22-track collection of previously unreleased songs finds starlet producers like Blakes, Arana, and Bonekinha Iraquiana sat alongside scene stalwarts and national icons like Deekapz, Mu540, and the inimitable MC GW. It all serves to make funk.BR - São Paulo a vital snapshot of this sensational city’s musical magic.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Rush Hour","offers":[{"title":"Default Title","offer_id":49235055640890,"sku":"","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/Various-funk.BR-SaoPaulo.jpg?v=1723555016"},{"product_id":"snooper-prison-affair-split","title":"Snooper \u0026 Prison Affair - Split","description":"\u003cp\u003e7\", purple vinyl\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTwo of the biggest names in \"egg\" Punk (or whatever stupid subgenre you want to call it) come together for a split single sure to dominate the world this Summer. Barcelona's favourite felons Prison Affair have teamed with Nashville's Snooper for 6 tracks of the catchiest punk songs sure to hit this year! \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":49240582979898,"sku":"","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/Snooper_PrisonAffairSplit.webp?v=1723646152"},{"product_id":"gaeg-anarcho-disco-vol-1","title":"GAEG - Anarcho Disco Vol.1","description":"\u003cp\u003eOptimo Music excitedly unleashes Japan’s GǼG and their Anarcho Disco volumes 1 and 2 into the world. Optimo thought they were done with 12” single release, at least for now, but then these tracks showed up and it was instantly obviously essential that they get pressed up on big fat twelve inch singles. \u003c\/p\u003e\n\u003cp\u003eEvery single track here has been tried and tested and caused delirious delight on the dancefloor over the last year. Now it is time to share them. Truly Anarchic, Psychedelic dance music for the open-minded and genre-free crews.\u003c\/p\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":49558244622650,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/GAEGAnarchoDiscoVol.1.webp?v=1725978274"},{"product_id":"various-electro-throwdown-sci-fi-inter-planetary-electro-attack-on-planet-earth-1982-89","title":"Various - Electro Throwdown – Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982-89","description":"\u003cp\u003eDouble LP\u003c\/p\u003e\n\u003cp\u003eSoul Jazz Records\" new collection, Electro Throwdown - Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982-89, is a journey into the outer reaches of electro, a galactic roller-coaster ride of turbo-charged sci-fi grooveology. The album is comprised of mainly private-press and independent label electro jams of the highest calibre (with some as rare as space ships landing on Mars) all created in the 1980s, at a time when a vocoder, a Roland TR-808 drum machine and a groove was all that was needed to get the party started. With a few notable exceptions (Michael Jonzun\"s Jonzun Crew and The Packman) the album features mainly under-the-radar killer tracks from a host of one-off artists and back-room electronic pioneers - including Pretty Tony, Planet Detroit (James McCauley, aka Maggotron) and Rich Cason - who together helped shape the sound of electro across the USA from Miami to New York, Los Angeles and beyond during the 1980s.\u003c\/p\u003e","brand":"PIAS","offers":[{"title":"Default Title","offer_id":53474493530489,"sku":"","price":28.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/VariousElectroThrowdown_Sci-FiInter-PlanetaryElectroAttackonPlanetEarth1982-89.jpg?v=1727781062"},{"product_id":"iker-munduate-argi-zantzuak","title":"Iker Munduate - Argi Zantzuak","description":"\u003cp\u003eSan Sebastian scene head Iker Munduate makes a huge volte face with this first LP under his own name, turning away from his former punk and free jazz pursuits into expertly crafted new age ambience. I hear you - Just what the world needs, another ambient record taking influence from Kankyo Ongaka... And yet, Munduate is really on to something here, connecting some threads between the likes of Yoshimura \u0026amp; Shimizu and the more serene examples of the late 90s afterhours\/IDM set, who themselves were surely taking cues from 80s Japan (we all know Aphex was listening to B-2 Unit, but maybe The Black Dog \u0026amp; LFO were also thinking about their own 'environmental music'?). Argi Zantzuak does everything you'd expect of the genre, but still manages to expresss its own identity, Munduate's choices always just so, the textures, tones and pacing clearly devised by someone who's done a lot of listening. The press release cites Suso Saiz as an influence, but in terms of contemporaries it's perhaps Visible Cloaks that most comes to mind, a loving ear being turned to a sound they instinctively understand.\u003c\/p\u003e","brand":"central bazaar","offers":[{"title":"Default Title","offer_id":53474555527545,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/IkerMunduate-ArgiZantzuak.jpg?v=1727788390"},{"product_id":"moritz-federlein-pretty-sneaky-10-1","title":"Moritz Federlein - Pretty Sneaky 10.1","description":"\u003cp\u003e10\"\u003c\/p\u003e\n\u003cp\u003e\"Loose \u0026amp; playful, leftfield groove excursions\"\u003c\/p\u003e","brand":"Rubadub","offers":[{"title":"Default Title","offer_id":53474568896889,"sku":"","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/MoritzFederlein-PrettySneaky10.1.jpg?v=1727789579"},{"product_id":"gerald-cleaver-the-process","title":"Gerald Cleaver - The Process","description":"\u003cp\u003eDrummer\/producer Gerald Cleaver is back in the room with another ode to his beloved Detroit. Indeed, the city is like a second member on The Process, its weighty history of vanguard-defining electronic experimentation and jazz-time inclinations writ large across a restless, journeying single 35 minute track split across two sides. It's an aptly named record, too, having been reassembled and re-worked from a previously unreleased older song into something very supple and future-fwd. We've not the original to compare, though there is a sense of fluidity in the production that feels lithe and fluent, a living text if you like. Because Cleaver is a drummer first, the ear tends to lead in that direction, but the control of tone and texture throughout is continuously inspired, shifting alien synth lines and dystopian\/utopian midnight vistas that sit right up there on the top table with the likes of Theo Parrish, Carl Craig, Robert Hood et al. That it's written in long form is even more impressive, the kind of record designed to be performed, a mutated E2-4 where the beginning, middle and end are irrelevant as it's always positioned in the eternal continuum of an imagined Detroit. Nailed on classic.\u003c\/p\u003e","brand":"Honest Jon's","offers":[{"title":"Default Title","offer_id":53477403853177,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/GeraldCleaver-TheProcess.jpg?v=1728384217"},{"product_id":"lucy-duncombe-sunset-she-exclaims","title":"Lucy Duncombe - Sunset, She Exclaims","description":"\u003cp\u003e7\"\u003c\/p\u003e\n\u003cp\u003eHighly regarded for a pair of innovative releases with 12th Isle, Lucy Duncombe is an experimental singer and artist who uses technology to deftly abstract songcraft in ways that uniquely pique the imagination. With ’Sunset, She Exclaims’ Lucy diversifies Modern Love’s 7” series via a trio of works that embody influences ranging from doo wop to avant garde and pure pop forms, in a style of melismatic sound poetry weft with Jacquardian intricacy. It’s a truly precious, beguiling and evocative record that will reward repeat plays for eons to come, much in the manner of contemporary classics such as Kara-Lis Coverdale’s ‘Grafts’, or Laurie Anderson’s ‘O Superman’.The star of this short story is no doubt ‘Sunset, She Exclaims’, where Lucy reframes Jeff Alexander and Anthony Wilson’s haunting ballad, ‘Come Wander With Me’, used as a titular device in The Twilight Zone’s swansong episode, 1964, and which has since notably featured on Vincent Gallo’s ‘Brown Bunny’(2003). In Duncombe’s larynx and motherboard, the song is dissected and reworked as a glossolalic froth of hiccuped melody blooming into crepuscular harmony. Its effect is practically hormonal; affective as indole in, as she puts it, “reducing the stench of the real”, whilst distilling the saccharine sadness of the original to a synaesthetic, dream-nudging whiff of nostalgia. Once you prize yourself away from that A-side, Lucy’s B-side only lures deeper into blurred hyper-pop fantasy. The precedents of Maria Chavez’s experimental sound poetry and Niecy Blues’ raw soul hover around ‘Ghosting’ and ‘Ghosted’, teasing the parameters of avant-pop into plasmic refrains, foregrounding the usually unwanted parts of vocal performance - glitching digital artefacts and errant detritus - in a way that makes the mind’s eye saccade, tracing the half-heard glowworms nestled in its bush of ghosts. 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This is now the quintessential sound of the Australian underground, an interest that runs through and connects the likes of CS + Kreme, Carla dal Forno, Troth, and even ex-pats like a.so. What's precipitated that shift is perhaps a bigger conversation better suited for another time, but Dregs are certainly worthy torch bearers for that sound, and rarely do debuts arrive so confidently attired. The players involved have all adopted mysterious pseudonyms (Sina, Drop Dylan, Ossian and Rip Van Hippy), which presents the possibility that we might already know who's who via other means and explain how they can get it right so quickly out the gate. Whatever the truth - and does it even matter? - you'll have to go a fair way to find a better crafting of trip-hop adjacent, smoke-plumed post-punk dynamics this year. This sounds like a group equally well versed in imperial era 4AD (think The Wolfgang Press and\/or Dif Juz), early 90s Bristol, and first album A.R Kane, dreamy, sensual, possibly a little bit out of it. A smoker's delight no doubt, but a lover's rock, too. No idea what they're putting in the water down there in Oz at the minute, but for a place with a whole lot of sun it aint half ended up with a lot of music that sounds like the night. You want the one you can't have...\u003c\/p\u003e","brand":"Purely Physical","offers":[{"title":"Default Title","offer_id":53477529977209,"sku":"","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/files\/Dregs.jpg?v=1728393464"},{"product_id":"lloyd-pack-know-your-lloyd-pack-ep","title":"Lloyd Pack - Know Your Lloyd Pack EP","description":"\u003cp\u003eWarehouse Find! \u003c\/p\u003e\n\u003cp\u003e7\"\u003c\/p\u003e\n\u003cp\u003eStar date on this was sometime in 2012. 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As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.\u003c\/p\u003e\n\u003cp\u003eThe focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. 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