Ditterich Von Euler-Donnersperg - Klein:Rot

Thorny, brittle, but shatterproof electronic brilliance by a near-mythical Hamburg enigma, Ulrich Rehberg aka Ditterich von Euler-Donnersperg, playing closer to home for Nina’s V I S alongside a killer new one for A Colourful Storm Since the early ’80s Uli’s label Walter Ulbricht Schallfolien have hosted the curdled creme of industrial and post-industrial music such as Throbbing Gristle, S.P.K., Laibach, Asmus Tietchens, and The Hafler Trio, beside prized projects such as Werkbund and Mechthildt von Leusch - which may or may not be Rehberg’a aliases. For Nina and Good News’ reliably wayward V I S label, Rehberg slips into his occasional guise Ditterich von Euler-Donnerperg for a fractured mosaic of concrète shrapnel and electro-acoustic abstraction that speaks to the inimitable breadth and free-hand unpredictability of his aesthetic.Working crisply detailed and persistently amorphous, allusive sounds with a sort of GRM-adjacent quality factored by a more playful, punkish freedom that’s rooted in Hamburg’s renowned counterculture, the 21 tracks on ‘Klein : ROT’ are among the most distinctive on V I S, resonating their elusive style with hallucinatory appeal from every inch of its chimeric, shapeshifting mass. They mostly say their piece succinctly and uncompromisingly, with only a few parts lasting over 3 minutes, and only one, the immersive ‘An Gott vertex’ taking up to five minutes to work its mind-warping magick. It’s the sort of rarified electronic music that reaches places left untouched or unrealised by most of the contemporary field, utilising hardware and secretive tekkers in a way best compared with Gerald Donald at his most inventive, the maziest Bernard Parmegiani gear, or the proprioceptive concrète scapes of Marina Rosenfeld.