{"title":"ambient\/minimal\/mod","description":"","products":[{"product_id":"grouper-grid-of-points","title":"Grouper - Grid of Points","description":"Not long after recording her 10th album, Ruins, Liz Harris traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. A series of stark songs emerged, minimal and vulnerable, woven with emotive silences. Inspired by “the idea that something is missing or cold,” the pieces float and fade like vignettes, implying as much as they reveal. She describes them as “small texts hanging in space,” impressions of mortality, melody, and the unseen – fleeting beauty, interrupted. Grid Of Points stands as a concise and potently poetic addition to the Grouper catalog.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGrid Of Points is a set of songs for piano and voice. I wrote these songs over a week and a half; they stopped abruptly when I was interrupted by a high fever. Though brief, it is complete. The intimacy and abbreviation of this music allude to an essence that the songs lyrics speak more directly of. The space left after matter has departed, a stage after the characters have gone, the hollow of some central column, missing.(Liz Harris)","brand":"SRD","offers":[{"title":"Default Title","offer_id":15615287132233,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Grouper_-_Grid_of_Points.jpg?v=1547041274"},{"product_id":"brian-eno-taking-tiger-mountain-by-strategy","title":"Brian Eno - Taking Tiger Mountain (By Strategy)","description":"Continuing the twisted pop explorations of Here Come the Warm Jets, Eno's follow up album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states. Eno's richly layered arrangements juxtapose very different treated sounds, yet they blend and flow together perfectly, hinting at the directions his work would soon take with the seamless sound paintings of Another Green World.","brand":"Little Amber Fish","offers":[{"title":"Default Title","offer_id":16557258440777,"sku":"","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Brian_Eno_-_Taking_Tiger_Mountain_By_Strategy.jpg?v=1547037090"},{"product_id":"kali-malone-the-sacrificial-code","title":"Kali Malone - The Sacrificial Code","description":"Truly wonderful double LP from Kali Malone that's kind of hit us for six here. We've been fans for a while, but this might just be her defining moment thus far. The Ogran Dirges record from last year offers some precedent to what's going on here - the organ remains Malone's focus, her compositions directed by the dense and enveloping timbres the instrument allows. It calls to mind Mary Jean Leach's Pipe Dreams from 1984, and Reich stands as an obvious touchstone, but it's a little reductive (no shit pun intended) to consider this as simply a continutation of the minimal tradition. These pieces of music are almost too vast to be described as minimal, widescreen and heavy in a way that speaks in someway to the outer reaches of Scandinavian metal, and intuitive in a pagan folk like manner key to the history of her homeland. Heavy and intimate, but in different, new ways. Malone's slowly constructing her own language. We just might be witnessing the emergence of a formidable new voice. Just saying...","brand":"boomkat","offers":[{"title":"Default Title","offer_id":20063213977673,"sku":"","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/KaliMalone-TheSacrificialCode.jpg?v=1659618828"},{"product_id":"grouper-a-i-a-dream-loss-2019-reissue","title":"Grouper - A I A : Dream Loss","description":"Re-released on vinyl on Kranky - the companion piece to Alien Observer is slightly darker and deeper. A I A: Dream Loss and A I A: Alien Observer are both ethereal ambient masterworks from Grouper.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":31094541746257,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/grou-500x500.jpg?v=1572609991"},{"product_id":"uon-untitled","title":"Uon - Untitled","description":"Huerco S’ West Mineral label follow Pendant’s sublime Make Me Know You Sweet album with uon’s wholly absorbing study in brownian motion and isolation tank ambience. It’s the 2nd release from the enigmatic project whose debut 12”s in 2017 was among the year’s finest.On this extended player, uon poetically describes three different behaviours of water and its amorphous states through a gently elemental push-and-pull of forces best considered in the vein of Basic Channel, Wolfgang Voigt’s Gas or the shimmering convections of Ross 154.Beautifully elusive but crucially watermarked with a sense of originality in personalized style, Solaris opens with the 17 minute title cut - a seemingly infinite journey through swells of diffracted chords and silty filters, simultaneously connoting sensations of opiated amniotic safety and oceanic infinity. Where the A-side feels like floating in a lush mass, the bass-heavy articulation of his B-side’s J may well urge listeners onto the ‘floor with the same, inexorable traction of classic Vainqueur records, and in a way smartly reflects uon’s mutable DJ style, before the aqueous qualities of his final track Bus soothes to a deeper blue state of loved-up introspection which, like Solaris, could have have easily taken up a side to itself.Bliss.","brand":"boomkat","offers":[{"title":"Default Title","offer_id":31661486178385,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/a0715646662_16.jpg?v=1576858890"},{"product_id":"philippe-laurent-airworld-considerations-inactuelles","title":"Philippe Laurent \/ Airworld ‎– Considérations Inactuelles","description":"\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qChwuXLUZlI\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Melodies Souterrain","offers":[{"title":"Default Title","offer_id":31954970935377,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/R-9358340-1479204416-6954_jpeg.jpg?v=1583501134"},{"product_id":"matt-jenick-dream-character","title":"Matt Jencik - Dream Character","description":"\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=582535509\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3848172634\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/handsinthedarkrecords.bandcamp.com\/album\/dream-character\"\u003eDream Character by Matt Jencik\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Hands In The Dark","offers":[{"title":"Default Title","offer_id":31985169039441,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/a2872993008_16.jpg?v=1584629082"},{"product_id":"various-bruton-brutoff-the-ambient-electronic-and-pastoral-side-of-the-bruton-library-catalogue","title":"Various - Bruton Brutoff: The Ambient, Electronic and Pastoral Side Of The Bruton Library Catalogue","description":"\"The ambient, electronic and pastoral sounds of the Bruton library catalogue.\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003eOver the last three decades I’ve collected library music. But I’ve never had a great deal of luck with the Bruton catalogue. By this I mean I’ve never stumbled across a massive stash, or lucked-out buying a huge run for practically nothing – I say this as that’s the kind of thing that used to happen in the 1990s and the early noughties if you were out there looking hard for library music. But I did get about 25 in one hit about 20 years ago when the BBC shut down their “TV Training Department” near Lime Grove and a box of Brutons ended up being dumped at a hospital radio, and they didn’t want the records, so I got a call.\u003cbr\u003e\u003cbr\u003eOver the years I’ve been buying any Bruton LPs as and when they pop up. There are lots of them about – over 330 LPs in the vinyl catalogue, issued between 1978 and 1985. I have to say that they do look really good on a shelf, simply because of their colour coded spines. Many of mine can be seen in a classic “rainbow” spread from the book Dust \u0026amp; Grooves (published 2014) when this guy came around and took pictures of my library records and put them in his book. Have a look on pages 156 and 157.\u003cbr\u003e\u003cbr\u003eAnyway, for many years the “trophies” from the Bruton catalogue have been the beat or action driven LPs – the two Drama Montage albums (BRJ2 and BRJ8) have always been the big hitters, and others such as High Adventure (BRK2) too.\u003cbr\u003e\u003cbr\u003eBut I always found myself drawn to the lime green LPs, the pastoral, peaceful albums (The BRDs), which were full of the kind of gentle, lovely music that would turn up in Take Hart as Tony was painting a woodpecker or a badger or an Autumn tree. The other Brutons I liked were the orange ones (The BRIs) simply because they were full of experimental futuristic electronics and would remind me of 1980s ITV backgrounds. This series includes Brian Bennett’s cosmic classic Fantasia (BRI 10). Myself and fellow library collector Martin Green would refer to this style of music as “Krypton Factor library”, because it’s exactly what that strange but successful TV quiz show sounded like.\u003cbr\u003e\u003cbr\u003eIn recent years as interest in library music has expanded, I’ve watched the number of original cheap (£5) Bruton LPs for sale fall away, and the prices of many rise. If you ask me, many of these library music LPs are simply not worth the daft money that is often fished for on-line. Yes, they are quite rare and non-commercial, but people seem to forget that these library LPs are not really made for normal LP usage or listening – they were never made to be put on like rock or pop or jazz LPs with a journey or artist’s message as part of the experience. No, they are made as working LPs - you are supposed to pull them out when you are in the middle of a production, needle-drop and see what track might be useful for your comedy, quiz show or space cop drama, dub it off then put the LP back. Many original library LPs may have one or possibly two tracks that are a modern day revelation, but to get to those you often have to skip past many less interesting compositions. Very few library LPs offer up consistent modern day musical ride.\u003cbr\u003e\u003cbr\u003eAnyway, I digress. What I’ve certainly noticed recently is the price of a handful of Brutons really going through the roof - not the action and drama ones, but the more esoteric and experimental LPs – like the BRDs and the BRIs. I get the vibe that people finally want to hear this other more interesting and experimental side of the Bruton catalogue. So what better time than now to put together a compilation of such sounds.\u003cbr\u003e\u003cbr\u003eNot only does this album bring together a set of fabulous cues that would cost the average man in the street a month’s wages (if the originals were all wanted), but it also chops out the need to listen to other tracks that are nowhere near as good.\u003cbr\u003e\u003cbr\u003eThe cues here all date from between 1978 and 1984. They come from the BRD, BRI, BRH, BRJ, BRM, BRR and BRs catalogues.\u003cbr\u003e\u003cbr\u003eThe composers are all legends within the genre, and here, were doing what great library composers do best – fulfilling a brief and utilising modern studio equipment to both commercial and beguiling effect.\" JONNY TRUNK\u003cbr\u003e\u003c\/p\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":32587965333585,"sku":"","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/VariousArtists-BrutonBrutoff_TheAmbient_ElectronicandPastoralsideofthetheBrutonlibrarycatalogue.jpg?v=1599214134"},{"product_id":"ana-roxanne-because-of-a-flower","title":"Ana Roxanne - Because Of A Flower","description":"The sublime songs comprising Los Angeles-based musician Ana Roxanne's second release, Because Of A Flower, germinated gradually across five years, inspired by interwoven notions of gender identity, beauty, and cruelty. They describes their process as beginning with “a drone element and a mood,” then intuiting melody, syllables, and lyrics incrementally, like sacred shapes materializing from mist.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe experience of identifying as intersex informs the album on levels both sonic and thematic, from spoken word texts borrowed from tonal harmony textbooks to cinematic dialogue samples and castrati aria allusions. It's an appropriately interstitial vision of ambient songcraft, a chemistry of wisps and whispers, sanctuary and sorrow, conjured through a fragile balance of voice, bass, space, and texture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite a background studying at the prestigious Mills College in Oakland, Roxanne's music rarely feels conceptual, instead radiating an immediate and emotive aura, rooted in the present tense of their personal journey. They speak of the flower in the title as a body, singular and sunlit, as many petals as thorns, an enigma beholden only to itself. But whether taken as surface or subtext, Because is a transfixing document of a rare artist in the spring of their ascension.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":32761329778769,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/anaroxannebecauseofaflower.jpg?v=1605627175"},{"product_id":"louis-crelier-rester-partir","title":"Louis Crelier - Rester Partir","description":"\u003cdiv\u003eNew imprint Caldeira debut with a compilation of Swiss composer Louis Crelier's wide ranging and fairly obscure soundtrack work - i'll admit, this is all unchartered territory to me. For someone new to his work, the selection of tracks appear to have been sequenced in a fairly unconventional manner, taking Crelier's score to a story about a French missionary's trip to Mali in the 19th Century as its focus point, and annotating it, so to speak, with a series of interludes and ambient diversions. Fine as they are, the original score is the very obvious highlight here, certainly substantial enough to stand on its own. Midori Takada's Mkwaju Ensemble provides a solid point of reference, sharing the same polyrhythmic focus and respectful marrying of traditions. Crelier is clearly trying to capture an authentic impression of Mali and that sincerity is reflected in a score that is both energetic and graceful. Though well intended i'm sure, the press release talks of 'exoticism' and 'otherness', which does sit uneasily when expressed in a white European context and i'd be a little reluctant to think of this music as anything other than a homage to a much wider cultural experience. Nonetheless, Crelier is a masterful composer whose work deserves to be heard, and anyone who enjoys Reich, Glass, Takada, Music from Mills crew et al should take a deep dive here. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Rubadub","offers":[{"title":"Default Title","offer_id":32777513992273,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/LouisCrelier-ResterPartir.jpg?v=1606312530"},{"product_id":"sugai-ken-ukabazumorezu","title":"Sugai Ken - Tone River","description":"Caught somewhere between environmental sound studies and surrealist sonic architecture, SUGAI KEN helps mark the 30th release of Field Records with an ambitious new album. Commissioned by the Dutch Embassy in Tokyo, Tone River is the product of a year’s intensive work between artist and label, created in part to examine the relationship between Japan and the Netherlands with regard to water management.\u003cbr\u003e\u003cbr\u003eWhile its doors to the Western world were closed during the 17th and 18th centuries, Japan kept abreast of Western science via a Dutch trade post in the bay of Nagasaki. When the country changed from a feudal society to a modern democracy through the turn of the 19th century, Dutch engineers lent their expertise to large-scale water management projects. One of the most prestigious projects of the time was the Tone River, which stretches 322 kilometers across Honshu, Japan’s largest island.\u003cbr\u003e\u003cbr\u003eFor this project, SUGAI KEN travelled to three points across the Tone River and used regular, binaural and underwater microphones to record environmental sounds, seeking to express the change in landscape of the river in its flow into the Pacific Ocean. On Tone River, these varied recordings are interspersed and juxtaposed with Ken’s distinctive take on synthesis, where raw and precisely sculpted textures and tones interact in stark, neutral space.\u003cbr\u003e\u003cbr\u003eOn this conceptually rigorous, yet beguiling and free-flowing record, SUGAI KEN glides between the elemental and hyper-synthetic in a flexible exploration of sound and story.","brand":"SRD","offers":[{"title":"Default Title","offer_id":32804708614225,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/184091-sugai-ken-tone-river.jpg?v=1607536937"},{"product_id":"andrew-chalk-painted-screens","title":"Andrew Chalk - Painted Screens","description":"\u003cp\u003eEdition of 250 copies in tipped-on sleeves with Japanese obi, insert and postcard. Entirely handmade sleeve edition of Painted Screens – designed \u0026amp; assembled at Impression Lointaine.\u003c\/p\u003e\n\u003cp\u003eMusic box : intimate music with a large palette of instruments ; Voices and sounds, mixed feelings and mysteries…A window opened on travelling memories, half-awakened thoughts and shared moments – dreamed and nocturnal wandering atmospheres, with undulating rays sporadically lighting a subconscious painting.\u003c\/p\u003e","brand":"Japan Blues","offers":[{"title":"Default Title","offer_id":32920555683921,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/a2672654885_16.jpg?v=1613649009"},{"product_id":"stars-of-the-lid-avec-laudenum","title":"Stars Of The Lid - Avec Laudenum","description":"Orginially released on sub rosa in 2000, in between the band's 'per aspera ad astra' and 'tired sounds' albums, this classic stars of the lid release has never been on vinyl. it's an expansive and ambitious album, at the same time 'avec laudneum' is probably stars of the lid's most cohesive and accessible album: a moving work struck through with subtle melodies and a compositional aesthetic.","brand":"SRD","offers":[{"title":"Default Title","offer_id":39257572769873,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/StarsOfTheLid-AvecLaudenum.jpg?v=1614682101"},{"product_id":"johan-caroe-wyla","title":"Johan Carøe - Wyla","description":"Cassette on \u003cspan class=\"title\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"title\" data-mce-fragment=\"1\"\u003eForlaget Kornmod - Danish neo-classical, \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en\"\u003ebased on recordings and passages from the music for Phie Ambo's film 'When You Look Away' from 2017. \u003c\/span\u003e\u003cspan class=\"title\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"title\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"Forlaget Kornmod","offers":[{"title":"Default Title","offer_id":39300826660945,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/a0591921988_16.jpg?v=1617098632"},{"product_id":"hans-van-eck-blind-area","title":"Hans Van Eck - Blind Area","description":"A1: 1983 - studio Marcel Duchamps, Institute of Musicology, Amsterdam\u003cbr data-mce-fragment=\"1\"\u003eA2: 1995-2020 - home studio\u003cbr data-mce-fragment=\"1\"\u003eB1: 1985 - Institute of Sonology\u003cbr data-mce-fragment=\"1\"\u003eB2: 1984 - Institute of Sonology\u003cbr data-mce-fragment=\"1\"\u003eB3: 1995-2020 - home studio\u003cbr data-mce-fragment=\"1\"\u003eAll music and photo front cover: Hans van Eck\u003cbr data-mce-fragment=\"1\"\u003eMastering: Jos Smolders\u003cbr data-mce-fragment=\"1\"\u003eLayout: Johnny van de Koolwijk","brand":"Dead Mind","offers":[{"title":"Default Title","offer_id":39379481854033,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/HansVanEck-BlindArea.jpg?v=1622718331"},{"product_id":"klas-trollius-sanger-till-en-manniska","title":"Klas Trollius - Sånger Till En Människa","description":"Yes yes, that seemingly limitless spring of talent from the Discreet universe continues to flow with this debut record by Klas Trollius, a relative unknown to all but the most devout Swedophile. Opening with a feather-light Vini Reilly-like eight-minute John Martyn cover that once again channels the folk song influence that underpins a great deal of the Forlag For Fri Musik output, Sånger Till En Människa might be considered an archetypal Discreet release, splitting the difference between the cult-y hymnals of Blod and Enhet For Musik, and the abstracted and often uneasy ambience of Arv \u0026amp; Miljo. Though generally much longer compositions, the patchwork quality and repeated motifs of these five songs also echo the episodic Astrid Oster Mortensen LP from earlier this year, enveloping field recording, tape static, spoken word and occasional bursts of melody into one rich tapestry. There's certainly a continuation of that shared avant sensibility that seems to colour all those within the Discreet orbit, though it is also telling that Trollius has cited Razorcuts as an influence, shifting the context a little with it. Indiepop isn't an obvious touchstone, but the gentle jangle radiance of Koltrast is a palette cleansing delight, like how Skygreen Leopards used to submerge perfect popsongs within psych-drone noise abstraction. It's a much appreciated counterpoint to Trollius' more experimental instincts, a daydream hidden in the fog.","brand":"Discreet","offers":[{"title":"Default Title","offer_id":39400741371985,"sku":"","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Screenshot2021-06-21at12.40.12_e9e82cd1-540c-415e-883c-1014af33e329.png?v=1624276007"},{"product_id":"neotantrik-suzanne-ciani-andy-votel-and-sean-canty-of-demdike-stare-241014","title":"Neotantrik (Suzanne Ciani, Andy Votel and Sean Canty of Demdike Stare) - 241014","description":"\u003cp\u003eDouble LP on clear vinyl.\u003c\/p\u003e\n\u003cp\u003eSynth legend Suzanne Ciani, Demdike Stare’s Sean Canty \u0026amp; Finders Keepers’ Andy Votel come together on this killer hour-long 2014 synapse popper of a collaboration pooling the occasional group’s esoteric collage-based approach into a remarkably foreboding session pregnant with a dread that’s never quite resolved. Think Vladimir Ussachevsky, Todd Dockstader, Spectre and Company Flow melted thru the Deutsch-Italo industrial DIY tape era and funneled thru an almost impenetrable fog of Ann Arbor basement noizze. Hustling some of Neotantrik’s most amorphous gestures, ’241014’ is a four-segment movement of reduced Buchla treatments, destroyed vinyl loops and scraping foley suspense; like a cosmic dream diary layered into a collage of drones and clatters. Little in Ciani’s extensive catalogue has hinted at what’s on display here; the joyful lullaby-pop of “Seven Waves” or metallic alien soundscraping of “Flowers of Evil” are only hinted at. She instead paints new sonic vistas, allowing space for her collaborators to make themselves known; Votel’s chiming toy autoharp and Bubul Tarang (a Punjab string instrument) add a distinctive flavor, while Canty’s grimy drones and noise-soaked textures drizzle pitch-black molasses into the cracks and crevices. Together, the effect is a bit like hearing Philip Jeck improvising over Popol Vuh’s peerless Moog-led debut “Affenstunde” or Demdike Stare knocking out impromptu reworks of Tangerine Dream’s abstrakt early run.Perhaps unusually, the trio have still never set foot in a studio together, exclusively maintaining their practice in-the-moment and on stage when schedules intersect. So it’s all the more remarkable that their improvisations naturally find a democracy of role and such a heightened level of intuition, beautifully converging their thoughts to mutual, open-ended conclusions that leaves billowing room for interpretation. In a most classic sense, it’s like the sensation of sleep paralysis or dream\/nightmare ambiguity, with a level of suggestiveness that’s disorienting from end to end.For the first time the recordings are now available in high fidelity (there was a tape version a couple of years back) - now remastered by Rashad Becker to better represent the otherworldly scope of their actions on stage, from the NWW-like queues and drone of ‘Scanned Accents’ and keening silhouette of ‘Second Action,’ to new sections of subaquatic Porter Ricks-like murk in ‘Anti-Contraction’ and the levitating webs of synth and tactile, sampled textures in ‘Last Canción.’ Tape music and synth music have long shared a passionate embrace, and here turntablism coolly slides in on the action. Canty and Votel’s background in beat tape assembly and crate digging pays off: they’re keenly experimental creators but bring an unfussy sense of rhythm and performance that’s miles beyond any facile repetition of a nostalgia for vintage glory. Combined with Ciani’s delicate Buchla work - it's a unique proposition.\u003cbr\u003e\u003c\/p\u003e","brand":"boomkat","offers":[{"title":"Default Title","offer_id":39416423219281,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Neotantrik_SuzanneCiani_AndyVotelandSeanCantyofDemdikeStare_-241014.jpg?v=1625155443"},{"product_id":"tibor-szemzo-arbo-x","title":"Tibor Szemzo - Arbo X","description":"\u003cp\u003eAn unexpected and brilliant return from the veteran Hungarian avant garde artist, ARBO X is a newly realised composition of work originally recorded for a film he directed back in 2006. I really only know Szemzo through the early Group 180 collab with Reich and the peerless Snapshot from the Island that followed in '87, so i wasn't entirely sure what to expect from this not knowing much of his work from the past 30 years. Whatever he's been up to, it's certainly time well spent. Essentially a series of shortform sketches which suggest their cinematic origins, ARBO X strikes a balance between fourth world layering\u003cstrong\u003e, \u003c\/strong\u003eminimal composition, vocal incantations and spacious jazz-indebted ethereality, and with it ends up sounding both incredibly contemporary and supremely masterful. The range of ARBO X in part reminded me of the Caterina Barbieri record Fantas Variations, on which she collaborated with a number of other likeminded artists, opening up different contexts for her own music, exploring different instruments and compositional approaches. What's most remarkable about this record, then, i suppose, is that here Szemzo reaches all manner of ideas and spaces alone. Some vision. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":39432612479057,"sku":"","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/TiborSzemzo-ArboX.jpg?v=1626192942"},{"product_id":"brin-josiah-steinbrick-bliss-place","title":"Brin \u0026 Josiah Steinbrick ‎– Bliss Place","description":"\u003cp\u003eOnly seems like a few days ago we were talking about the Josiah Steinbrick record with Sam Gendel, and now we've another collab issued via his Full Bloom label. This time out he's combined forces with Brin, also known as sound artist Colin Blanton, and someone i'm just now hearing about for the first time. What they each contribute is not necessarily obvious, but their work does seem effortless and natural, defined by that always impressive ability to infuse abstract electronics with palpable emotion and depth.  The work with Gendel was ostensibly jazz-rooted for obvious reasons, though Bliss Place is, broadly speaking, more at home within the West Mineral\/Experiences Ltd\/Sferic world of contemporary electronics, reimagining the multi-layered, texture-driven aesthetics of the Mille Plateaux\/Clicks and Cuts sound. 'Time-dilating' is a term we seem to be using a lot at the moment, and i think the strength of Bliss Place is the mastering of that origin-less sound style of composition whereby the tracks don't so much start and end as appear, these ghostly, sedimentary pieces that seem both densely packed and weightless, and possessed of no discernible root. It's a popular sound right now, but it's rarely achieved with such texturally rich grace. Another hit for Steinbrick and Full Bloom.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"All Night Flight","offers":[{"title":"Default Title","offer_id":39437097992273,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/a0304163076_10.jpg?v=1626363347"},{"product_id":"grouper-shade","title":"Grouper - Shade","description":"In the recent interview with the Wire, a connection is suggested between Liz Harris' music and the ocean, near to which she has lived for sustained periods of her life.  It's not such a radical suggestion given the imagery that has accompanied a substantial amount of her music, though on Shade it does feel as pronounced as ever. Interestingly enough, these nine songs, which clock in at a teasingly short 35 minutes (Harris has a way of manipulating space and time within her songs), are said to have been written at various points over the past 15 years. That's a large proportion of Harris' creative life spent next to the water, which gives reason for perhaps the most emotionally open and direct Grouper collection to date. If there was once The Man Who Died in His Boat, maybe Shade is the woman stood alone waiting on the shore? Some of the songs are foggy and embedded in static hiss, yet some are also unadorned and clear, like, say, Maxine Funke or how Chan Marshall used to. This is the Grouper sound, sculpted and weathered by the oceans and time, and something to be carried away on. As transportative and elemental as ever, but also somehow more personal and moving.","brand":"SRD","offers":[{"title":"Default Title","offer_id":39450600734801,"sku":"","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/groupershade.jpg?v=1627464932"},{"product_id":"ben-bondy-glans-intercum","title":"Ben Bondy - Glans Intercum","description":"\u003cp\u003eLimited to 700 copies.\u003c\/p\u003e\n\u003cp\u003eOver a year since we last heard from them, Huerco S’ West Mineral imprint shimmers into view for their first release of 2021 - a lush, jittery high of aerosolised ambient thizz and top shelf electroid steppers from Ben Bondy, highly recommended if yr into Perila, Jan Jelinek, Second Woman, Kindohm or Uon.  Last year’s “Sibling”, released on Special Guest DJ’s Experiences Ltd was one of the year’s subtle standouts, but Bondy’s music refuses to tether itself to one sound or another, instead hovering around the fertile area between experimental ambient and outre club modes. “Glans Intercum” paces further sideways, toying with dub and drone ideas and sandwiching these sketches between buzzing drum workouts that squeeze texture from collapsing beat templates. Oscillating piquant shocks of vibrant energy with steeply opiated hypnagogia and OOBE-like sensations, the results locate a mind in flux, torn between the need to flex hyper-articulated limbs and becoming lost in discretely introspective ambient interzones. The eight tracks course from a sort of kaotic power ambient energy to a lushly unresolved daydream serenity through alternately convulsive and temple-smushing turns. ‘Rest’ opens with a bitter explosion of digital scree that escalates into pill-belly jitters, and ‘Ash In Emerald Casing’ keeps toes off the ground with Rian Treanor-levels of pointillist hyper-footwork tekkers, contrasting with the DJ Python-esque slithering vox and atmospheric mulch of ‘Spangled (With Stella).’ From the skittish ‘Drip on Nape’ his circles start to bleed into one, with the aqueous shimmer of ‘Ven’ and Stella’s vocals returns on ‘2404’ to blur the lines between up\/down, where ’Skizz’ enacts a sort of perpendicular grime and he ultimately comes to bliss out in the fragile glassine fractals wilting from the closing title tune.\u003c\/p\u003e","brand":"boomkat","offers":[{"title":"Default Title","offer_id":39456485245009,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/BenBondy-GlansIntercum.jpg?v=1628081014"},{"product_id":"gothenburg-sound-workshop-ii","title":"Gothenburg Sound Workshop - II","description":"\u003cp\u003eSurefire recipe for success with this one - there's the word Gothenburg in the band name and it's coming out on Forlag For Fri Muzik in 2021. If only everything else was so simple. Ehent For Fri Muzik might be the totemic point of convergence for the New Swedish Underground, but there's something about this second record from Gothenburg Sound Workshop that feels both definitive and transgressive. Perhaps it's the band name itself - the concept of a 'sound workshop' is progressive, pedagogical and explorative, all of the qualities you'd hope for from an emerging underground. Nonetheless, i wouldn't be surprised if this were the work of just one person, so laser focused is it. FFFM themselves describe this as 'contemplative and melancholic synth minimalism', which is 100% entirely accurate, minimal being the operative word. There's little more than synth and sadness here. Conceptually, there's some throughline to, say, Experimental Audio Research and Werkbund, though there's an obviously icey and shadowy quality to these two long form pieces that reminds me of the Nordic snow bunker isolationism of Civilistjävel!. Alone in the wilderness at night, deep in the mental mire. Few things from contemporary Gothenburg that i don't love, but this is a few streets ahead of most. Ridiculously limited, very happy to have even just these handful of copies to flog.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Discreet","offers":[{"title":"Default Title","offer_id":39472975151185,"sku":"","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/GothenburgSoundWorkshop.jpg?v=1629295646"},{"product_id":"max-winter-one-thousand-lonely-places","title":"Max Winter - One Thousand Lonely Places","description":"Max Winter’s music seeks to traverse a breadth of styles – a world where freewheeling jazzwise drum workouts linger behind silk bass and glooming electronics, where compositional flurries of flute, cello, keys, and violin playfully exchange with restrained melodic ambience, where driving \u0026amp; pummelling big drop productions resurface as introverted pop stunners, where crystalline vocal melodies float above terminator slap bass sessions… it’s literally all going on…and all at the same time. Max holds that rare ability to serve as a vector for his own sweeping ideas, to think something and ‘just do it’ – coming from a jazz \u0026amp; classical compositional background Max writes everything, plays everything, and masterfully grasps everything. To be frank, ‘One Thousand Lonely Places’ has ended up being one of the most mysterious and exciting things we’ve ever put out.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMax strives to bring a very human element \/ approach to his electronic compositions, perhaps a result of the tactile nature of his classical training, he injects a unique rawness into his sound world via vocal experiments which breathe (literally) emotional states into much of the work, building and elevating his sound with the big room pieces, and pushing the other end extreme of anxious isolation deeper into the walls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere’s no denying the strong pop sensibility that permeates ‘One Thousand Lonely Places’, hushed vocal parts are shared between Max and recurring guest IMOGEN, and there’s a definite structure within the chaos, but this is mostly an odd, isolated, experimental take on formal song structure - walking the same restrained, understated pathways forged by bands such as Talk Talk and The Necks one moment, and then the next minute pointing towards the likes Arto Lindsey \u0026amp; Bill Laswell’s more playful forms of No Wave, and then from there gazing towards the future focus of musically informed, genre less freedom explored by artists such as Laurel Halo, Kaitlyn Aurelia Smith. All of these touchpoints are subtly underpinned with an understanding and appreciation of classical \u0026amp; quiet music forms of composition encompassed and explored by masters such as Akira Rabelais, Harold Budd, David Sylvian.","brand":"Rubadub","offers":[{"title":"Default Title","offer_id":39489537638481,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/maxwinter.jpg?v=1630509979"},{"product_id":"pendant-to-all-sides-they-will-stretch-out-their-hands","title":"Pendant - To All Sides They Will Stretch Out Their Hands","description":"Huerco S' Brian Leeds returns with his second album under the Pendant moniker and serves up a collection that's both a tale of two sides, and a pretty onpoint distillation of the West Mineral aesthetic he and his crew of likeminded producers have cultivated the past few years. First off, there's a lot of music here - close to 70 minutes in fact. The opening two tracks are imposingly long ambient excursions with pointedly emotive and ambiguous titles in a way that suggests Leeds is targeting some other grander, emotional narrative, not unlike The Caretaker. Beautifully textured and unhurried, this is pretty much where i'd expect to find a Pendant record, expanding on that sensational debut that introduced the whole WM universe. Where To All Sides... pushes new ground is in its final third, and suggests Leeds has spent serious time studying the insectoid micro-detail oddness of Ben Bondy and Mister Water Wet. The Story of My Ancestor the River has an almost free jazz like quality, disruptive and arresting in a way that makes a mockery of the ambient tag. That it's positioned right in the middle of the record suggests that's entirely intentional, as if daring the listener to make false assumptions. The real highpoint, though, is the 18 minute closer, Sometimes I Go About Pitying Myself While I Am Carried By The Wind Across The Sky, which reads like an Explosions in the Sky title but possesses an eerie rattlesnake-like hiss that perfects that great trick of confusing the natural with the synthetic - where does the one end and the other start? With these track name, we're in a similar space to Claire Rousay's emo-ambient experimentation, though Leeds seems less persona-driven in his work, favouring the ambiguous but leaving enough clues to suggest some other meaning, not unlike those long form Burial tracks from a few years back. An often subtle but certainly perceptible evolution. The West Mineral universe might have found a new planet…","brand":"boomkat","offers":[{"title":"Default Title","offer_id":39519973539921,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Pendant-ToAllSidesTheyWillStretchOutTheirHands.jpg?v=1632840943"},{"product_id":"picnic-bonus","title":"Picnic - Bonus","description":"\u003cp\u003eA1. dewey (Nadia Khan version)\u003cbr data-mce-fragment=\"1\"\u003eA2. picnic, leaving a conversation (with Pepper, Monkey Twenty, Low Flung)\u003cbr data-mce-fragment=\"1\"\u003eA3. dewey (NAP version)\u003cbr data-mce-fragment=\"1\"\u003eB1. elkhorn ft. Haji K. (Other Joe remix ft. 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Bent under lockdown circumstances and corresponding feelings, all tracks were created in a car (!) and on the road throughout various places in Europe. Haunted by good old escapism, yet already too remote from anything to really drive away from.\u003cbr data-mce-fragment=\"1\"\u003eThis translates to a dreamlike album that provokes the past and the present by taking elements of both, and stirring it up until something in-between comes out. The organic and the digital blend effortlessly, as acoustic guitar and bass sit next to intelligent electronix and similar FX. Sometimes this takes centre stage, while at others it forms a natural canvas for spoken words.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Akzident and Een Lied Voor Jou these words are provided by that other lyrical maverick, Rik van Boeckel, whose archives had been subject of Raakvlak’s second release Deze Hoofden Praten. Here too, old and new blend, into an in-betweenness that forms an entity of its own.","brand":"Rush Hour","offers":[{"title":"Default Title","offer_id":39728346988625,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Organizatsiya-Vlug.jpg?v=1642763733"},{"product_id":"pablos-eye-a-mountain-is-an-idea","title":"Pablo's Eye - A Mountain Is An Idea","description":"Whilst walking in a future metropolis with the rumbling depths of buildings soaring up like a sonorous boom, several languages are gently spoken over your shoulder, until suddenly one emerges and gazes back. Pablo's Eye is looking completely through you, and in your inability to articulate its descriptive genre (ambient, spoken word, or maybe cinematic trailer) you are at once disarmed and liberated by the sincerity. The Florist's Mum is proud to introduce Pablo's Eye's first LP of original music in over 20 years, A mountain is an idea.","brand":"floritsts mum","offers":[{"title":"Default Title","offer_id":39741042425937,"sku":"","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Pablo_sEye-AmountainisanideaLP.jpg?v=1643387800"},{"product_id":"jacob-dwyer-the-devil-museum","title":"Jacob Dwyer - The Devil Museum","description":"Somewhere between ambient, soundtrack, and an audio play. The tragicomedy and melancholy of a halted art project and a restless mind turning in on itself; as daydreams, farce, and the surreal transform into a blue and beautiful narrative.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“In January, 2018, I travelled to Lithuania. I was staying in a small wooden cabin in the middle of a forest and was there to photograph all 3000 sculptures in the nearby Devil Museum. The project was funded by the Mondriaan Fund but two months earlier I’d lent the entire budget (8,000€) to my friend, Martin. He’d just gotten a new job at Rainbow Solutions. I’m not sure what they did but they'd given him a company car with a huge sunroof and a big rainbow printed on the bonnet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the following four weeks in Lithuania I kept an audio diary and recorded sounds in and around my cabin. I met no one and spoke about meeting no one. I remembered Crow Man and the time I sold my mum a kilo of scallops. I listened to the door hinge and I recorded the river, with its small islands of ice brushing up against the banks like a pulse. It’s a nice word, ‘pulse’; the motion of an artery as blood is driven through it by the heart.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Devil Museum is an audio drama made up from these recordings. It’s scored with original compositions by Kareem Lotfy and was put together and mixed in collaboration with Jacob Oostra.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJacob Dwyer","brand":"Honest Jon's","offers":[{"title":"Default Title","offer_id":39839119835217,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/JacobDwyer-TheDevilMuseum.jpg?v=1648569571"},{"product_id":"grouper-ruins","title":"Grouper - Ruins","description":"\u003cp\u003e2023 Repress\u003c\/p\u003e\n\u003cp\u003e\"Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria Zé dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. Iʼm still surprised by what I wound up with. It was the first time Iʼd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track ,Sony stereo mic and an upright piano. When I wasnʼt recording songs I was hiking several miles to the beach. The path wound\u003cbr data-mce-fragment=\"1\"\u003ethrough the ruins of several old estates and a small village.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I left the songs the way they came (microwave beep from when power went out after a storm); I hope that the album bears some resemblance to the place that I was in.\" LH\u003c\/p\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":39861066137681,"sku":"","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Grouper-Ruins.jpg?v=1649778595"},{"product_id":"alvin-lucier-jordan-dykstra-out-of-our-hands","title":"Alvin Lucier \u0026 Jordan Dykstra - Out Of Our Hands","description":"These companion pieces have similar orbits as they were not only both composed in Middletown, CT (where Alvin and Jordan lived for a number of years), but are about Middletown, at least from a starting point. Alvin’s piece — a homage to the location of the house in which he recorded “I am sitting in a room” back in 1969 — continues his study into slow-moving glissandi and carefully crafted beating patters by interweaving three string players within a minor third (voiced by two vibraphonists). The result is entrancing, almost psychedelic, and opens space where one didn’t expect. Like much of his previous work, it is conceptual and process-based; once the wheels get turning they go on and on, giving the listener time to approach the piece, sit with it, and then move back inward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the other hand, Dykstra’s piece “32 Middle Tones” (a pun on his Middletown street address and the harmonic microtonality utilized in the composition) is a very textural work. His piece asks the cellist to sustain pitches for extended durations — at times quietly singing in close proximity to the stopped pitch coming from the cello — while the rest of the ensemble (violin, viola, and 2 percussion) voice a sequence of chords separated by notated silences. The cello voice is sometimes alone, but never for too long as it finds itself supported from both the top and bottom in a harmonic embrace. This supportive structure involves a percussion section which colors the seemingly simple chords (major 6th, inverted minor 7th, inverted minor 2nd, etc.) with a non-traditional toolkit of bowed singing bowls, stone sheets, harmonicas, and even leaves.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is music that gently gives the listener a sense of predictability but always in an unexpected (and subtly indeterminate) shade. Speaking of shade, the album’s cover photo was taken in 2019 in Alvin’s backyard in Middletown. Alvin and Jordan sit with similar demeanors in front of his favorite tree — a crooked aspen which early on looked to be doomed — but which he would often saunter over to spend time with, giving it whispers of blessings and encouraging words.The world was blessed with Alvin’s presence and hopefully this album will whisper to you and yours.","brand":"Cargo","offers":[{"title":"Default Title","offer_id":39894791880785,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/AlvinLucier_JordanDykstra-OutOfOurHands.jpg?v=1651680818"},{"product_id":"troth-blood-in-my-hair-lumena","title":"Troth - Blood In My Hair\/Lumena","description":"\u003cp\u003e7\"\u003c\/p\u003e\n\u003cp\u003eFirst IDDB 7\" in a short while and also the first new music from Troth since that great Oak Corridor record on Knekelhuis from however many months ago. I lose track. 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It's hard to determine just what the intention is on Pilgrimssånger, though i'm going to receive these songs on face value and read them as a sincere rechanneling of the aesthetics of religious community and engagement, albeit it with a little art school provocation residing just under the surface. The church is an inherently complex entity, and not speaking Swedish i've little insight as to whether that's something that Dicksson is choosing to pick apart or not. The text accompanying the record notes that the Blod approach has often been to examine \"beautiful things in generally ugly contexts,\" though i also wonder if that could be viewed the other way around? Leaving that meaning hanging in the air is part of the appeal, and i will say that there's an uncanny aspect to a number of these folk-referencing melodies and hymns, some of which seem to contain the possibility of modern pop song within them - there's a few famous melodies i swear i can hear, though i continue to struggle to determine just what they are. It could be coincidence, it could be part of the strange uneasy, cult-y ambience Dicksson has long seemed to pursue. And if that's not got you intrigued enough, Loopsel's Elin Engstrom turns up on vocals, a reason in itself to investigate. Not much music like this coming from anywhere else right now, which can only speak to the value of having a band like Blod around. Edition of 500 copies with screenprinted covers, lyric book and additional insert.","brand":"Discreet","offers":[{"title":"Default Title","offer_id":39916020695121,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Screenshot2022-05-18at13.16.52.png?v=1652876227"},{"product_id":"tibslc-hypertranslucent","title":"TIBSLC - Hypertranslucent","description":"\u003cp\u003eClear Vinyl\u003c\/p\u003e\n\u003cp\u003esferic venture a new set of plasmic ambient entertainment systems by Jonas Wiese’s TIBSLC, mining that slender but heady sweetspot between the earliest Vladislav Delay productions for Chain Reaction, Japanese environmental x architectural recordings and the sort of gear you’d hear from Move D \u0026amp; Jonas Grossmann at the late 90’s Source Recordings heyday.sferic pick up the mantle of late ‘90s-into-‘00s ambient with a new variant primed for the times. Following the themes of their ‘Decisive Tongue Shifts - Situation Based Compositions’ album of 2021, TIBSLC (The International Billionaire’s Secret Love Child) distills their sferic debut into a crystal clear, hypersensitive set of eight tracks that slip seamlessly into each other’s space, recalling the amorphous end of Jan Jelinek’s ambient shimmers.Where TIBSLC’s first album sprawled over two discs, this one relates to the same recording sessions, but glimpsed via more succinct windows of opportunity. In effect they’re like Hitchcockian, voyeurist snapshots of other lives in the urban complex woven into a melting emulation of the city at dusk, replete with infrasonic bass from streets below, and streaked with the wistful dream energy and fizzy optimism of a certain city life. In fleeting rounds of ephemeral shrapnel and synth pad washes, the eight parts evoke a sense of mental discombobulation, lending itself to ruminating on the unbearable lightness of being.Lovers of graphic sound craft, and that turn-of-the-century Ambient signature, this one’s for you.\u003c\/p\u003e","brand":"boomkat","offers":[{"title":"Default Title","offer_id":39947137286225,"sku":"","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/TIBSLC-Hypertranslucent.jpg?v=1654172444"},{"product_id":"eric-schmid-duncan-harrison-mark-groves-untitled","title":"Eric Schmid, Duncan Harrison, Mark Groves - untitled","description":"\u003cp\u003eCassette\u003c\/p\u003e\n\u003cp\u003e2 track, 38mins of music, from Infrant tree\u003c\/p\u003e","brand":"mindseye","offers":[{"title":"Default Title","offer_id":40004109271121,"sku":"","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/EricSchmid_DuncanHarrison-MarkGroves-Untitled-InfantTree.jpg?v=1657198422"},{"product_id":"telesoniek-atelier-a-selection-of-improvisations-1989-2017","title":"Telesoniek Atelier - A Selection Of Improvisations (1989 - 2017)","description":"Now then, what's this? No label so very little info other than Telesoniek Atelier is the pseudonym of one Hans Kulk, a western European mainlander you'd assume (correct me if i'm wrong), with just a handful of CDr releases to his name and who arrives replete with a list of impressive endorsements from some notable students of the game - Suzanna Ciani, Surgeon, John T. Gast++. So far so intriguing. Somehow, A Selection of Improvisations delivers more than might be anticipated from such origins. We've a double disc containing ten outer-zone compositions that straddle the line between late 90s afterhours ambience - situated somewhere broadly within the Gas\/Basinski\/Oval axis - the minimalist composition of the Lovely Music\/Obscure canons, and the emotional richness of the Music From Memory universe of airy electronics. Heavyweight business, then. Granted, we do seem to discuss music of this kind a fair bit, but there's a real allure to Kulk's approach that's as equally indebted to its masterful poise as it is its shadowy origins. A bit of mystery goes a long way when you're making sounds as vaporous and cloudless as this, but there's also real substance here, evidence of a smart composer adept enough to extract a rich timbre of emotion from what is a mostly minimalist approach. Would happily learn more about Kulk, though i'd be equally content to let these ten pieces bubble and swell in their own enigmatic amber free of explication.","brand":"Rush Hour","offers":[{"title":"Default Title","offer_id":40037151965265,"sku":"","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/TelesoniekAtelierASelectionOfImprovisations_1989-2017.jpg?v=1658846619"},{"product_id":"brian-eno-foreverandevernomore","title":"Brian Eno - FOREVERANDEVERNOMORE","description":"FOREVERANDEVERNOMORE is the 22nd solo studio album from Brian Eno and the first since January 2017’s Reflection. The 10-track album was recorded and produced by him at his studio in West London and sees Eno singing on the majority of tracks. It’s a sonically beguiling, ultimately optimistic exploration of the narrowing, precarious future of humanity and our planet. As Eno himself concludes, “Briefly, we need to fall in love again, but this time with Nature, with Civilisation and with our hopes for the future.”\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e'Making Gardens Out of Silence in an Uncanny Valley' was originally included in an audio installation which is Brian Eno’s contribution to the London Serpentine’s long-term, interdisciplinary programme addressing the ongoing climate emergency, Back To Earth.\u003c\/p\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":40043599134801,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/BrianEno-FOREVERANDEVERNOMORE.jpg?v=1659086797"},{"product_id":"sunhiilow-waking-through-the-dawned-shades","title":"Sunhiilow - Waking Through The Dawned Shades","description":"\u003cp\u003eCassette\u003c\/p\u003e\n\u003cp\u003eEdition of 80 copies\u003c\/p\u003e\n\u003cp\u003eMusic and artwork by Valérie Magisson.\u003cbr\u003eRecorded with modular synth from January to February 2022.\u003cbr\u003e\u003c\/p\u003e","brand":"IKUISUUS","offers":[{"title":"Default Title","offer_id":40128729514065,"sku":"","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Sunhiilow-WakingThroughTheDawnedShades.jpg?v=1662639630"},{"product_id":"leda-maar-stairway-13","title":"Leda Maar - Stairway 13","description":"Swooping, sub-heavy sci-fi from Riz Maslen. Leda Maar is a new moniker for the established artist who’s released a crop of downtempo and electronic music as Neotropic and Small Fish With Spine, as well as collaborated with the likes of Future Sound of London, filmmaker Andrew Kötting, and featured in PSP-era Grand Theft Auto soundtracks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMana’s long lasting love of Riz’s 1996 Laundrophonic EP, released under her Neotropic name, spurred this new release. That 12” was a deep and dark web of rhythm and ghostly urban found sound that one Discogs reviewer aptly named “coin-slot Dubstep”. With elements mostly sourced from tape recordings made in and of her local laundromat, it still stands out as a remarkably contemporary feeling work; more like a post-Fisher, post-hauntology observation of urban life from the last decade, taking the ambient temperature and undercurrent pressures of the 90s. Asking if she had anything in continuity with this slice of her discography, and describing our interest in her take on “space and bass”, Maslen returned to us with Stairway 13.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHeavy-lidded and ethereal in long form, Stairway 13's balance of bass weight, mechanical metre, and darkly tinted new age feels like a cinematic re-approach to some of the textures, moods, and themes of Laundrophonic. Originally composed for an installation, Stairway 13 folds in her decades’ experience in sound design and theatre, along with shards and elements abstracted from her more recent folk-like music, zoning into a deep, retreated, altogether dreamlike and expansive atmosphere. The scale and soundscape is reminiscent of Geinoh Yamashirogumi and their Ecophony album series, resonating to similar frequencies and exploring themes of chaos and rebirth in feature-length form.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStairway 13’s four parts spread and swoop as single extended sides across this double LP. Carried by waves of sub bass and heavenly chorus, and later punctuated with autonomic clicks of machinery, whirrs, and pulses -sometimes reminiscent of FSOL’s weirder and more clipped staccato sampling in sections of their cyberpunk ISDN-the work forms a gothic, otherworldly ambience. A subtle space opera.","brand":"Honest Jon's","offers":[{"title":"Default Title","offer_id":40176650190929,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/LedaMaar-Stairway13.jpg?v=1664376755"},{"product_id":"dalhous-visibility-is-a-trap","title":"Dalhous - Visibility Is A Trap","description":"Visibility Is A Trap is the new EP by Dalhous, comprised of four originals together with a masterfully understated Regis remix of He Was Human And Belonged With Humans'. The EP heralds the arrival of the Edinburgh-based project's sophomore album, Will To Be Well, due out on Blackest Ever Black in early Summer 2014.\n\nDalhous first announced its existence in 2012 with the Mitchell Heisman 10', and last year released its debut full-length: An Ambassador For Laing.\n\nBoth Visibility Is A Trap and the upcoming Will To Be Well LP reflect writer-producer Marc Dall's continued interest in the language and imagery of self-help, R.D. Laing and the anti-psychiatry movement. Though recorded after Will To Be Well, the tracks on Visibility Is A Trap at first appear to have more in common with the blue ethereal drift of Ambassador.\n\nWhile Information Is Forever'and A Change Of Attitude'are firmly in the ambient mode, Active Discovering'fizzes with arpeggiated energy, and a battery of percussion disrupts the calm surface of Sight Of Hirta'. Something is up. All is not as it seems.\n\nThe Regis remix of Ambassador highlight He Was A Human And Belonged With Humans'finds Karl O'Connor in unusually pensive mood. In fact this near-beatless, dubwise version is unlike anything he has put his name to before.\n\nDiscarding the rhythmic skeleton of Dalhous's original, he gives their weeping saxophone more space to roam and resonate, adding off-beat, sleep-deprived keys, murmured vocal fragments and swells of sub-bass pressure.\n\n\nIt could be construed as a love letter to his former home in West Berlin; certainly it evokes and effortlessly updates the drugsick grandeur of later Neubauten or Low side 2.  ","brand":"Blackest Ever Black","offers":[{"title":"Default Title","offer_id":40180875165777,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Dalhous-VisibilityIsATrap.jpg?v=1664714406"},{"product_id":"various-neuro-defragmentation","title":"Various - Neuro-Defragmentation","description":"“In a rapidly urbanising world a potentially detrimental affixation grows for loud, artificial, hyper stimulation. It’s valid to fear this could give rise to a society negligent of the simplistic natural beauty this planet fragilely owns. Neuro-defragmentation steps away from advanced technologies and heavily processed synthetic sounds in an un-compressed attempt to re-ignite a connection with nature we all possess. This is achieved by compiling un-quantised, organically textured music that is created using the human hand, rather than reliance on auto-modulation and drawn in lines. Timing is left to flow based on the artists own clock rather than the DAW’s. Automation is carved by hand creating fluid, organic but mathematically imperfect sculptures. Textures are left un-gated reflecting the constant background noise we sub-consciously experience in life. These approaches to music creation caused activation of my parasympathetic nervous system, restoring autonomic function to homeostatic levels. Evidence suggests glymphatic system clearance is promoted via re-synchronisation of disrupted circadian rhythms, reducing neurotoxicity and therefore cognitive degradation. Reductions in paranoia, agitations and hallucinations have been observed, suggesting that the habitats produced in the music re-associate listeners with the wilderness we have been intrinsically connected to for so long.” \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDr. P. Jenkins","brand":"New Words","offers":[{"title":"Default Title","offer_id":40208851861585,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Various-Neuro-Defragmentation.jpg?v=1665758983"},{"product_id":"quilsk-artificial-imaginations","title":"Quilsk - Artificial Imaginations","description":"Fred Mikardo-Greaves on the Norman Records site says:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Electronic music has long been the arena of the mysterion. Indeed, if you were to create the platonic ideal of an electronic musician, it would be an anonymous figure hiding their real name behind a moniker - a trope parodied, famously, by Aphex Twin in his 90s heyday. Enigmas rule here, and even with the coming of the Information Age we are still inundated with music-makers who let their machines do the talking.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe latest artist to emerge in this long and distinguished lineage is Quilsk. Besides the fact that they hail from Bristol, we’ve got nothing on Quilsk or their debut LP ‘Artificial Imaginations’. This air of mystery works in this record’s favour, cloaking an already curious album in further layers of intrigue.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Artificial Imaginations’ is one of those obtuse electronics-based records that evokes a very specific feeling in the listener. It’s not ominous, exactly, but there is a terseness to this thing that slyly reels you in, making you press your ear up close to the speaker to see if you can decipher any meaning from Quilsk’s oblique signals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis same thread runs through the work of everyone from Madteo to Oberman Knocks to golden-age Metalheadz, though stylistically ‘Artificial Imaginations’ isn’t particularly similar to any of them. A few of the tracks here have the same scrunched-up sonics one finds in Oval and Autechre, but neither of those acts exhibit Quilsk’s streetwise approach to bassweight - the low-ends are where Quilsk's jungle, dub and hip-hop influences are most easily parsed.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record that comes to mind most when listening to ‘Artificial Imaginations’ is Actress’ ‘Ghettoville’, a set of hauntological anti-techno that threw together Burial’s crackling ‘Untrue’ with the grizzled entrails of 90s electronica and chopped ‘n’ screwed hip-hop. ‘Artificial Imaginations’ is not as grey-scale as ‘Ghettoville’, and tracks like ‘Medina Cortex’ yoke together their beats in a more coherent manner, but a sense of unsteady drift is shared. And like ‘Ghettoville’, while this record might catch you cold, it might also have you hooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album is dedicated to Harry Fulcher [R.I.P]","brand":"New Words","offers":[{"title":"Default Title","offer_id":40208852648017,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Quilsk-ArtificialImaginations.jpg?v=1665759090"},{"product_id":"nug-napping-under-god","title":"Nug - Napping Under God","description":"Super deep n’ rolling ambient junglist mutations from hyped cloakroom attendent Florian T M Zeisig and mysterious XPQ? operator PVAS, uniting under the NUG moniker for a highly atmospheric session beamed directly from that short-lived, elusive sweetspot in the mid 90’s when Omni Trio and DJ Crystl collided with Mo Wax’s Some Scientific Abstract Type Shit! and Gescom’s Disengage, all red lights dappling thru a dense fog of smoke.Rinsed out under the timeless influence of “bong \u0026amp; sterni” - who sound like a legendary Berlin ambient duo, but are just weed and beer - Zeisig and PVAS collide in midair for a stereo-swirled recollection taking us back to 1995 - that Autechre radio show on Kiss FM, peak Mo Wax, Kodwo Eshun’s ‘club trax’ column, just before everything went fully tasteful. Throwing links to more contemporary refractions found on various J. Albert workouts as much as Skee Mask’s most vapourised breaks, the NUG sound keeps toes and heads off the ‘floor with a rugged but lush suite of rave suspension systems making critical use of negative space and recoiling dub dynamics.One for the early hours of the club, ‘Not Many People Here yet’ gives acres of room to bounce off the walls, while the ruder ‘Filthy Club’ sounds like the backroom heard from ceramic tiled bogs, and you’re already healthily zonked for the zombie float of ‘Is Under The Blanket.’ The radiant pads and swingeing breaks of ‘Morpheus’ dial up Skee Mask’s most pendulous rave visions, and ‘Napping Under God’ rolls out on 9 minutes of webbed breakbeat for the locked-in steppers, with Florian’s ambient texturing fully coming into effect on the blurry-eyed flex of ‘Lite.’","brand":"boomkat","offers":[{"title":"Default Title","offer_id":40234738090065,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/uYqduJFw.jpg?v=1667314012"},{"product_id":"billy-steiger-loud-object","title":"Billy Steiger - Loud Object","description":"Loud Object is the second solo release from artist Billy Steiger, following his self released 'Recordings, drawings and photographs from in and around Fr​î​dd Newydd' in 2016. Both a visual artist and a musician, Steiger’s Loud Object plays as a two sided experiment in markmarking and sound, as a kind of writing by ear - metallic, brushed, wooden - lines imprinted and pressed circular. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record takes its name from the discarded title of the several-hundred-page draft of Clarice Lispector’s eventual 96-page novel Água Viva. Devoid of characters or plot, Água Viva appears always in suspension between the interior and exterior and impression and expression. Weird and formless (like the jellyfish ‘agua viva’ translates to in Portuguese) Lispector’s text deals less in the cerebral or the knowable realms of words, but more in the unknowable moment of experience. Its joy is found in its looseness, its meaning found in its lack of definition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLoud Object began as six sides of violin improvisations, four of them abandoned and the last of them added to or processed usings samplers in moments Steiger calls ‘wells’ - gaps or dips in the recording which could be filled or poured into. The process of filling up and taking away, of repeating and multiplying, of building tension between the finite and the lost -  all wrestle with actualisation. Which line will be drawn? In the liner notes for the LP, Evie Scarlett Ward writes, “The record holds loss.”Though the lines are fixed, its contents are fluid - forty minutes filled in and manipulated, before time moves on.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSteiger’s relentless rearranging of convention means no two of his live shows are the same, and his decade-plus involvement in London’s free improvisation scene constantly surprises. Loud Object is no exception.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":40234775314513,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/5056321679192_T3_Image.jpg?v=1667314918"},{"product_id":"adrian-corker-the-have-nots","title":"Adrian Corker – The Have-Nots","description":"A series of pieces from the score to Florian Hoffmeister's The Have-Nots featuring lock grooves,violin,cello,viola da gamba and double bass.","brand":"Adrian Corker","offers":[{"title":"Default Title","offer_id":40234802413649,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/AdrianCorker_TheHave-Nots.jpg?v=1667318081"},{"product_id":"tibslc-adrian-corker-re-works-of-since-it-turned-out-something-else","title":"TIBSLC \/ Adrian Corker - Re-Works of Since It Turned Out Something Else","description":"Constructive are pleased to announce our fifth release, reworks by TIBSLC of Adrian Corker’s recent album ‘Since It Turned Out Something Else’. Having met earlier this year when TIBSLC played at an album launch for Jack Sheen in London at Cafe Oto, Corker asked if they would be interested in taking the tracks as raw material to create a new set of pieces. The original acoustic worlds of the nine tracks, a combination of contemporary composition and electroacoustic techniques , are transformed into three complex ever shifting digital landscapes.","brand":"SN Variations","offers":[{"title":"Default Title","offer_id":40234805035089,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/a4255532052_10.jpg?v=1667318404"},{"product_id":"hilde-marie-holsen-lynn-cassiers-walking-in-circles","title":"Hilde Marie Holsen \u0026 Lynn Cassiers - Walking In Circles","description":"A moving and poetic journey that can sound at once coldly electronic, seemingly abstract, and at once heartwarmingly human. Holsen’s unique gentle melodies emerge to surface and go hand in hand with Cassiers’ fragile bits of songs and words, offering the listener a lead through an etheric dreamworld.","brand":"Rush Hour","offers":[{"title":"Default Title","offer_id":44307555680570,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/HildeMarieHolsen_LynnCassiers-WalkingInCircles.jpg?v=1673882708"},{"product_id":"gary-john-sinclair-public-broadcast-vol-1","title":"Gary John Sinclair - Public Broadcast Vol.1","description":"\u003cp\u003eGary John Sinclair is a music composer and sound designer working in the museum, experiential and public art sector. Exploring the liminal space where sound and music reside.\u003cbr\u003eNumbered limited edition 180gm white vinyl. 1st 100 copies come with original Lino print.\u003c\/p\u003e\n\u003cp\u003e\"An album of ambient music and field recordings derived from nature, scientific concepts and data. These works have been broadcast internationally in museums, festivals and science projects. Available for the first time digitally and on limited edition vinyl (180gm).\u003cbr data-mce-fragment=\"1\"\u003eUtilising the latest in creative technologies such as data sonification, sound processing and generative music. The work is deeplly focused.\u003cbr data-mce-fragment=\"1\"\u003eGenerated from authentic environmental data and nature recordings Public Broadcast Vol.01 has legitimacy and is an honest representation of the source material.\u003cbr data-mce-fragment=\"1\"\u003eThe music is warm and welcoming, successfully filling space in a non-intrusive way and providing deep connection and further interest on closer inspection.\u003cbr data-mce-fragment=\"1\"\u003eNatural sounds morph into music and back again.\" Gary Sinclair\u003c\/p\u003e","brand":"gary sinclair","offers":[{"title":"Default Title","offer_id":44630581870906,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/GaryJohnSinclair-PublicBroadcastVol.1.jpg?v=1677773965"},{"product_id":"bloedneus-de-snuitkever-milli-mille","title":"Bloedneus \u0026 de Snuitkever - Milli Mille","description":"KRAAK is proud to present the first LP by Bloedneus \u0026amp; de Snuitkever, MILLI MILLE. Finally in wax, it’s Lukas De Clerck’s musical vehicle for his explorations with the aulos, that ancient reed instrument that mainly satyrs and archeological enthusiasts found beguiling. Equipped with his handmade pipes and the artful sense of devotion of a true modern-day aulete, De Clerck has dug deep into the technical and cultural peculiarities of this long-silenced instrument, paying it the kind of attention and mindfulness that Marsyas the satyr so lacked when he challenged Apollo and his lyre to that ill-fated musical match. But beyond merely resuscitating an ancient cult, De Clerck as Bloedneus gives the aulos a different kind of renaissance where its penetrating qualities are expanded and expounded to effects worth every nosebleed, paving new grounds in these practices of old.\u003cbr\u003e\u003cbr\u003eMILLI MILLE hints at mysteries universal to humans of yore, present and morrow, like a Joseph Campbellesque recounting of transcendental journeys through drones and extra reverb. Elegiac modes encounter pastoral vibes that are punctuated by sly baroque flourishes, all pointing to the timelessness of the aulos’s sound - one can easily imagine its power of enlightenment through many ages. Yet in MILLI MILLE, an insistence on the fickleness of the instrument surfaces through disorienting, perception-shifting blasts and a compulsion to push the aulos to its fullest and most destabilizing potential. This is the flavor that Bloedneus \u0026amp; de Snuitkever imbues into that dormant canon, one that permeates the atmosphere long after the last note puts an abrupt end to these vibrations. The satyr’s song rings on, leaving the air abuzz with a timeless pulse that holds the promise of sounds still to be unearthed.","brand":"Rush Hour","offers":[{"title":"Default Title","offer_id":44675264577850,"sku":"","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/Bloedneus_deSnuitkever-MilliMille.jpg?v=1678199870"},{"product_id":"jef-mertens-no-mathematics-no-mathematics-by","title":"Jef Mertens - No Mathematics","description":"CIRCLING RAGAS OF RESOUNDING POWER FROM THE BEATING HEART OF BELGIAN DRONEVOLK\u003cbr\u003e\u003cbr\u003eNow here’s some reflective austerity that knows how to cut deep - an entrancing trek through the vacillating borders of drone, noise and the titillating void between it all. Geel-based Jef Mertens has been researching, documenting and subtly exploring the experimental music scene in Belgium and beyond for the better part of two decades. As a filmmaker, he’s dug deep in the realm of Flemish primitive fringe (Dronevolk) and chronicled the makings of giants like Sonic Youth and Borbetomagus. After running the now-defunct free tape label Dadaist Tapes, Mertens comes with a release of his own: NO MATHEMATICS, the first record collab between KRAAK and Feeding Tube.\u003cbr\u003e\u003cbr\u003eThis entrancing debut sees shruti box and guitar conjoining to create circling ragas of solemn yet resounding force. Additional contributions from US composer and multi instrumentalist Nickolas Mohanna provide an orphic sheen to the whole, amplifying its psycho-sensorial energy through ringing zithers and pulsating electronics. In essence, NO MATHEMATICS fosters a portentousness that is tenuous and vibrant, completely in line with Mertens’ work so far and proving that the heart of Belgian dronevolk is alive and very much beating.","brand":"Rush Hour","offers":[{"title":"Default Title","offer_id":44675281912122,"sku":"","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/JefMertens-NoMathematics.jpg?v=1678200039"},{"product_id":"efrain-rozas-still","title":"Efraín Rozas - Still","description":"Have you noticed that Western music emphasises linear time? Melody is a continuous sequence of sounds. Harmony and rhythm follow a progression from beginning through climax and resolution. Is it possible to have an art that is based on non-linear time? Can we even experience non-linear time?\u003cbr\u003e\u003cbr\u003eEfraín Rozas’ Still posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings.\u003cbr\u003e\u003cbr\u003eEfraín Rozas is a Peruvian interdisciplinary artist working with Latin American music, robotics, sculpture and installation. He holds a PhD in composition and ethnomusicology from New York University, and is a 2023-2024 Jerome Hill Artist Fellow. He has published Fusión: a soundtrack for Peru, a publication, video documentary, and music compilation; and has released several albums internationally via Names You can Trust, the Ethnomusicology Institute of Peru, the Embassy of Spain and Buh Records.","brand":"Futura Resistenza","offers":[{"title":"Default Title","offer_id":44683221434682,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0051\/1380\/6921\/products\/EfrainRozas-Still.jpg?v=1678287906"}],"url":"https:\/\/worldofechomusic.com\/collections\/ambient-modern-classical\/new.oembed?page=9","provider":"World Of Echo","version":"1.0","type":"link"}